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exterior Tudor with pool

Architectural designer: Frank G. Neely Design Associates, Frank Neely and Senior Associate Christian Reed, Atlanta, Georgia

Builder: Mike Hammersmith, Mike Hammersmith Inc., Atlanta, Georgia

Landscape Architect: Graham Pittman, E. Graham Pittman & Associates Inc., Atlanta, Georgia

The grand English Tudor-style house, a jewel in Atlanta’s architecturally eclectic Buckhead neighborhood, possesses a commanding presence.

From its clay chimney pots and limestone columns to its mullioned windows and porte-cochère, the three-level red-brick and limestone residence with the slate roof and half-round glittering copper gutters is a real old-world charmer.

Storied houses that look like this come wrapped in history that can be peeled away layer by layer like the skin of an onion.

This one, too, has a fascinating tale to tell, but it begins only a decade ago.

iron band linking two clay-pot Tudor chimneys

Period-style details, including an iron band that links the two clay-pot chimneys in the front, are the Tudor’s defining features.

That’s when Atlanta-based architectural designer Frank Neely was commissioned to create it. His clients, a couple with three growing children, originally asked him to expand their small, single-story 1940s wooden Colonial. But they changed course and decided to build a new, larger house in a timeless traditional style.

“We decided on English Tudor style, which is one of my favorites, because there were some 1920s examples in the neighborhood, which is a mix of historic styles that start in the 1900s,” Neely says.

From the outset, designer and client agreed that every detail of the new house should look as though it had aged gracefully through a century of use.

The 6,265-sqaure-foot house, which also has a 3,400-square-foot partially above-ground basement, was carefully sited on its long, ¾-acre plot to blend in with the houses on the block without calling attention to its imposing facade.

“For a year or more, we just drew and worked on details,” he says, “because we wanted to take it to the Nth degree and make it perfect. A lot changed along the way. The first design for the front porch, for instance, had it much smaller with only two columns.”

To make impeccable age-old statements, Neely relied not only upon design but also upon materials. The red brick for the façade, for instance, was handmade.

“We spent six months looking at samples and playing with color before we got it right,” he says.

“We even redid the elevation to draw in each brick.”

handmade bricks on Tudor

Copper gutters, handmade bricks and hand-carved limestone take the Tudor back in time.

The limestone elements, as well as the mahogany window frames and doors, were hand carved. “We detailed every shape,” Neely says. “And the chimney pots are made of white clay to match the limestone.”

Neely revels in the “quirky details” of the house, pointing to the iron band that binds the two front chimney stacks and the pebbledash treatment of the porte-cochère’s timbered frame.

“We looked to McKim, Mead & White for the pebbledashing,” he says. “They made mosaics and patterns. To do it, the mason pressed the pebbles into the natural stucco as quickly as he could before it dried.”

Because Neely and his team designed all the elements, they were able to create a seamless, historically accurate flow between interior and exterior spaces.

“The beauty of drawing windows and doors is that there’s no limit to shapes,” he says. The placement of the back porch, which is centered on the backyard swimming pool and opens to the kitchen, master bedroom suite, family room and breakfast room, allowed Neely’s team to repeat its oak-beamed ceiling in the family room for continuity.

oak kitchen island with Gothic Revival motifs

The kitchen’s central island, which is made of oak, features Gothic Revival motifs. 

And in the kitchen, they wrapped the custom cabinetry around a small arch-shaped window like a blanket and created a central island in oak that features Gothic Revival motifs.

It is the details of the house that turn back time. The walls of the master bathroom, for example, are paneled in solid sheets of ¾-inch white marble punctuated by oak timbers to emulate early 20th-century wainscoting.

custom kitchen cabinets, dainty arched window

Custom cabinets in the kitchen were designed to wrap around the dainty arched window, another custom feature.

And the massive 4-foot-wide and 8-foot-tall front door, made of mahogany and encased by hand-carved limestone, is a marvel of utter authenticity. “I don’t know how heavy it is,” Neely says. “We used Da Vinci hinges that allow it to swing naturally, and everything from the hardware to the flashing is in a historic style.”

Traditional finishes, including ebonizing and fuming on the oak woodwork and wide-plank oak floors, also helped take the house back to its Roaring Twenties roots gracefully. To give the central stairway’s newel post and pickets a darker fuming color quickly, the team applied diluted ammonia to the wood instead of merely exposing it to the chemical’s fumes as they did for the rest of the woodwork.

Landscaping, too, was used to create the illusion of an age-old estate. The house was planned around the large, old hardwood trees that were on the property, and the sculpted plantings in the front create a formal English-style evergreen garden suitable for English Tudor-style architecture.

The swimming pool takes up most of the backyard space, which also includes a pool house/garage that has an upstairs study. The rambling five-bedroom house, which includes a living room, dining room, family room, kitchen, breakfast room, butler’s pantry and library, also has some more fanciful spaces.

leather chairs, built-in bookshelves, library

In the library, leather chairs, built-in bookshelves and expansive windows create a clubby, old-world atmosphere.

There’s a spectacular round-cornered stair hall upstairs as well as a playroom whose sky-high vaulted ceiling is accented with wooden trusses.

Neely loves the way all the rooms of the house play together. “There are so many little wonderful spots,” he says. “We wanted the details to be all around you and subtle and for the rooms to open to the vistas of other rooms. From one sculpted space to another, it’s just ‘wow!’”

He isn’t the only one who continues to be enchanted. “The clients still call and say they just noticed something new,” he says. 

See more details of this home in this close-up.


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